the green why
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Why do good people suffer and bad people prosper?

Wisdom · The Old Testament Drama
♪ Johannes Brahms"Denn alles Fleisch" from "A German Requiem" (1868)
The same subject, through the eyes of painters ↔
Ilya Repin, "Job and His Friends" (1869). Job in the dust, destitute and naked — while his finely dressed theologian friends explain that he has only himself to blame: suffering must fit the scheme.
Ilya Repin, "Job and His Friends" (1869). Job in the dust, destitute and naked — while his finely dressed theologian friends explain that he has only himself to blame: suffering must fit the scheme.
William Blake, "When the Morning Stars Sang Together" (c. 1805). God answers Job out of the storm — not with an explanation but with the whirlwind of creation: "Where were you when I laid the foundations of the earth?"
William Blake, "When the Morning Stars Sang Together" (c. 1805). God answers Job out of the storm — not with an explanation but with the whirlwind of creation: "Where were you when I laid the foundations of the earth?"
Pieter Claesz, "Vanitas" (1628). A skull on an open book, a violin, an overturned goblet, a clock, a snuffed candle: wisdom, art, wealth, time — "vanity of vanities, all is vanity."
Pieter Claesz, "Vanitas" (1628). A skull on an open book, a violin, an overturned goblet, a clock, a snuffed candle: wisdom, art, wealth, time — "vanity of vanities, all is vanity."

Together with the prophets is born a thought turned inward — the personal search for meaning. And its very first question is the most terrible. The Book of Job is a terrible story: a righteous man, who has in no way deserved calamity, in a single day loses his children, his wealth, his health.

Friends come to him — theologians, all of them — and try to cram his suffering into the tidy scheme on which the whole of the old faith rested: "God is punishing you for your sins — repent, and He will restore you." But Job knows this is not so: he is pure — therefore the scheme lies. And here is what no one before him had done: he does not curse God, nor does he submit in silence — he demands a trial of God, cries out to His face, summons Him to a conversation. In this lies Job's holiness — he contends with God because he believes in Him in earnest; while his pious friends, defending the "correct" doctrine, in fact defend a scheme and not the living God.

And God appears — but out of the storm, and He gives no answer. He does not explain why; He asks in His turn: "Where were you when I laid the foundations of the earth?" He appears not as a solution but as a mystery — and the meeting itself becomes the answer that no explanation can replace. Job submits not before violence but before boundless majesty: "I had heard of You by the hearing of the ear; but now my eye sees You." The point is not why I suffer, but with whom.

And alongside sounds another voice — Ecclesiastes, the bitter, seasoned sermon of a man who has tasted everything: "Vanity of vanities, all is vanity." Wisdom, wealth, labor, pleasure — all passes, all is meaningless, if one looks "under the sun," from within earthly, temporal life alone. This is the cry of a soul that has tried everything and found no foothold in the world itself — and by that very fact a preparation for the revelation of eternity: if there is no meaning under the sun, then it lies above it.

These two books — tangles of doubt and torment — say what religion rarely admits: faith is not a calm certainty but, often, a struggle with God and with oneself. Of this — the next station.

The road through this question: How to find meaning in life? →
Read the chapter from the book: “Job. The Crack in the Mirror of the World”
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The chapters behind this station — the four books. Who makes this, and why.
The spine of it all — the arc. The same law through the four voices: philosophy · literature · painting · music.
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